This post was originally published on May 8, 2012 on my old blog at keithcalder.com. I will probably update this list in 2022 after the next Sight and Sound poll. I think it will be a very different list by then.
At first I thought this would be a fun diversion, but it turned out to be incredibly stressful. Who am I to not include a single Stanley Kubrick or Akira Kurosawa film on my Top 10 list? Have I betrayed my beloved Face/Off by not including it? Am I really so anglo-centric that I can't find room for foreign language masterpieces? At the end of the day, I'm upset at myself for not finding a way to put at least 100 movies on my top 10 list. The entire idea of a top 10 list is a bit wonky to me, as I believe it's impossible to rank and organize the impact and quality of different works of art, but I think a finished list can still provide a helpful guide to other film explorers and it can be an interesting insight into the mind of the list-maker. So here we go…
These are all of the movies that I helped produce. In most cases, this means I was one of the lead creative producers from start to finish. In some cases, it just means I helped out a bit somewhere along the way and ended up with a producing credit.
You can also look at this list on letterboxd, which provides an easy way to find streaming/purchase links to watch any of the movies.
This post was originally published on August 2, 2012 on my old blog at keithcalder.com
Sight and Sound Magazine have finished compiling their decennial list of the greatest films of all time. You can view the critics' top 50 here (actually 52 because of three-way tie at the 50th slot), and I assume the complete lists will be available after Sight and Sound publish their September issue. To give the list some context, Sight and Sound have been compiling a poll of film critics every ten years since 1952 to determine the greatest films of all time. In 1992, they also started compiling a separate list polling directors.
I find it fascinating to observe the shifting critical opinions around great films over the years. Some of the films (such as Vertigo, Sunrise, and 2001) have steadily increased in reputation over the last few decades. Some are slowly diminishing. But mostly I'm fascinated by the films that seem to bounce around from decade to decade. For example, look at the chaotic ranking changes of The Passion of Joan of Arc, which seems to oscillate in reputation every twenty years.
Being a narcissistic soul, my initial thought was to see how the Sight and Sound lists compared to my personal Top 10 Films Of All Time list. Answer? Not well. None of my top 10 picks show up anywhere on the top 50 of the Sight and Sound critic list.
Even more embarrassingly, I've only seen 17 of their top 50 films. I guess I have a lot more movie-watching to do.